The X-Files is shockingly relevant again and tackling current affairs better than it did in its original run and has a lot of fun doing it. There may be no perfect end to this story, but it’s a huge win for fans that they’re allowing the smaller character moments to shine (even Mitch Pileggi’s Walter Skinner will get a backstory!), when relationships often were overlooked because the monsters or aliens were so blinding. This time around, with what Carter calls a “running start,” The X-Files season 11 sets out to tell a complete story and is halfway to accomplishing that. It didn’t pan out quite like he envisioned it.
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Chris Carter needed to update the show for the 2010s in a way that didn’t feel tacky, get the agents back into the FBI, wash over the great alien invasion of 2012 that never came to fruition, and drum up new mythology that didn’t retcon the stuff of old. Forget the question posed to all show revivals, whether we even needed The X-Files to resurface in the first place after nine seasons, two films, and countless comic books, novels, and video games. The X-Files comeback had as difficult of a job as any show during this revival era. Subscribe Den of Geek Magazine: Anderson, Duchovny, and Carter on the Legacy of The X-Files Some of that is made up for with deeper characterization in the second episode, written and directed by Glen Morgan, which acts more like a continuation than a monster-of-the-week episode and finds Mulder and Scully on the run and communicating with an old friend (you can guess who by watching the trailer) in a way I can only describe as Black Mirror-esque. For one thing, the pacing feels breakneck and out of sync compared to some of the great Carter-directed mythology episodes of the original run. And even Monica Reyes.) Many of the same “My Struggle” problems are still there. evil battle, setting up the William storyline, and keeping the focus on the major players (Mulder, Scully, Cigarette Smoking Man, and Walter Skinner….
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The X-Files picks up season 11 with “My Struggle III,” in some ways a continuation of the maligned mythology episodes of season 10, and in others a much talked about “reset.” The episode, written and directed by Carter, improves upon the first two “My Struggle” installments by streamlining the mythology into a more coherent good vs. However, this season of The X-Files still has plenty to say about the current relationship between the people and its government, the amplification of conspiracy theories and fake information, and maybe best of all, the ongoing beef (to be polite) between the White House and the FBI. The story will have little effect on season 11 since it broke while Carter was finishing production of the season finale. The zeitgeist seems to be morphing on a daily basis.”
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In speaking with Chris Carter back in September, the series creator told Den of Geek that capturing the zeitgeist in today’s news climate was about as hard as hitting a UFO with a paintball gun: “You actually wonder if what you’re writing today will have any bearing on reality when it airs six months later. What’s more encouraging for fans is that The X-Files, against all odds, has taken on a new sense of purpose, one that got lost during the short tenth season.
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We’ll get this out of the way: It’s a marked improvement over season 10.
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Two years after the show was revived to sometimes harsh, sometimes mixed, and in the case of one episode, glowing reviews, the story continues in the 10-episode X-Files season 11. It’s right there that Mulder cracks the case of why these revivals still appeal to viewers and why The X-Files will once again return with new episodes in 2018, when all logic points to the contrary. “Who’d have thought we’d look back with nostalgia and say that was a simpler time?” “He’s dead because the world was so dangerous and complex back then,” Mulder says. There’s a moment in The X-Files season 11 where Fox Mulder gazes at the tombstone of an old ally and verbalizes the paradox we’re all currently in.